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Bridgerton: Season 4
79% -
Paradise: Season 2
88% -
Scrubs: Season 1
89% -
The Fall and Rise of Reggie Dinkins: Season 1
100% -
The Gray House: Season 1
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Monarch: Legacy of Monsters: Season 2
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The CEO Club: Season 1
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CIA: Season 1
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The Greatest Average American: Season 1
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Most Popular TV on RT
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A Knight of the Seven Kingdoms: Season 1
93% -
56 Days: Season 1
64% -
The Night Agent: Season 3
82% -
How to Get to Heaven From Belfast: Season 1
93% -
Love Story: Season 1
81% -
The Pitt: Season 2
99% -
Under Salt Marsh: Season 1
100% -
Scrubs: Season 1
89% -
Unfamiliar: Season 1
83%
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Columns
Guides
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25 Margaret Qualley Movies & Shows Ranked
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All A24 Movies Ranked by Tomatometer
Link to All A24 Movies Ranked by Tomatometer
Hubs
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What to Watch: In Theaters and On Streaming
Link to What to Watch: In Theaters and On Streaming -
Awards Tour
Link to Awards Tour
RT News
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Three Upcoming Romance Anime Series You Need to Watch
Link to Three Upcoming Romance Anime Series You Need to Watch -
Paradise: Season 2 First Reviews: Smart, Twisty, and Led by Outstanding Performances
Link to Paradise: Season 2 First Reviews: Smart, Twisty, and Led by Outstanding Performances
Cinema
Cinema is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Paul Schrader.
| Rating | Title | Year | Author | Quote |
|---|---|---|---|
| Midnight Cowboy (1969) | Paul Schrader |
Schlesinger is forced to fall back on Voight and Hoffman's performances, the only cards in Schlesinger's deck which don't seem phony. Yet neither is Schlesinger blameless in this matter.
Posted Jun 30, 2020
|
|
| Brandy in the Wilderness (1971) | Paul Schrader |
Brandy In The Wilderness stands alone as a unique work of art; it establishes its own rules, and makes them work.
Posted Jun 30, 2020
|
|
| Women in Love (1969) | Paul Schrader |
The most successful adaptation of a Lawrence novel to the screen.
Posted Jun 30, 2020
|
|
| Gimme Shelter (1970) | Paul Schrader |
In the end, Gimme Shelter remains a film of shallow intentions; its aesthetics seem those of possibility and opportunism rather than necessity and moral commitment.
Posted Jun 30, 2020
|
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