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Maxance Vincent

Tomatometer-approved critic
Biography:

Maxance Vincent is a freelance film and TV Critic based in Montreal, Canada. A recent graduate in Journalism at the Université de Montréal, Maxance developed a fond affinity for genre cinema and specialized in his writing on the subject. You can find his work through many publications, including InSession Film, FilmSpeak, Awards Radar, and Loud & Clear Reviews, among others.

Reviews

Movies TV Shows
Lorne (2026) 68% 2.5/5 EDIT “While Morgan Neville’s Lorne has admirable intentions, it feels more like a puff piece on Michaels’ genius than an exploration of who he is.” – Loud and Clear Reviews Apr 21, 2026 Full Review Outcome (2026) 29% 1/5 EDIT “It’s been a while since such a well-mounted cast failed to meet the moment in an ensemble comedy quite like Jonah Hill’s Outcome.” – Movies We Texted About Apr 21, 2026 Full Review Marc by Sofia (2025) 74% A- EDIT “Sofia Coppola doesn’t pretend to be objective in her portrait of Marc Jacobs in Marc by Sofia, and the film benefits from her subjective perspective on the iconic fashion designer.” – Film Speak Apr 21, 2026 Full Review Roommates (2026) 67% B EDIT “While more commercial than Mile End Kicks, Chandler Levack’s humanist touch seeps through every aspect of her funny and achingly moving Roommates, anchored by two brilliant performances from Sadie Sandler and Chloe East.” – Film Speak Apr 21, 2026 Full Review Mile End Kicks (2025) 87% B- EDIT “Chandler Levack celebrates the vibrancy of Montreal with her lovingly constructed Mile End Kicks, despite screenwriting and pacing issues that prevent the film from being a memorable tribute to the city.” – Film Speak Apr 21, 2026 Full Review Normal (2025) 74% 4/5 EDIT “Genre fans are in for a real treat with what is one of the most exhilarating action films of this year. ” – The Cinema Spot Apr 20, 2026 Full Review Lee Cronin's The Mummy (2026) 46% A- EDIT “Even with its obvious inspirations, Lee Cronin’s The Mummy still satisfies as a gloriously violent piece of popcorn entertainment that might as well surpass the Brendan Fraser pictures.” – Film Speak Apr 17, 2026 Full Review Balls Up (2026) 26% B EDIT “Look, I laughed. A lot.” – InSession Film Apr 17, 2026 Full Review Exit 8 (2025) 92% 3.5/5 EDIT “The movie is most effective when "anomalies" are small shifts in the space, or in the actors’ performances, rather than the most significant visual-effects-driven setpieces. ” – The Cosmic Circus Apr 15, 2026 Full Review You, Me & Tuscany (2026) 64% 1/4 EDIT “There’s no surface or humanity to anything being visualized. Near the film’s denouement, it randomly turns into a Maserati commercial.” – Awards Radar Apr 13, 2026 Full Review ChaO (2025) 83% C- EDIT “Another Misstep from Studio 4°C.” – InSession Film Apr 9, 2026 Full Review My Undesirable Friends: Part I - Last Air in Moscow (2024) 100% 4/4 EDIT “The final hour of My Undesirable Friends: Part I - Last Air in Moscow might be one of the most essential demonstrations of journalistic courage ever captured on camera. ” – Awards Radar Apr 8, 2026 Full Review Faces of Death (2026) 68% 4.5/5 EDIT “Daniel Goldhaber continues his studies of social media culture by smartly reinterpreting Faces of Death through the lens of TikTok virality.” – Loud and Clear Reviews Apr 6, 2026 Full Review What Does that Nature Say to You (2025) 96% 3/5 EDIT “As Hong grows older, [his images] seem blurrier and less certain. Slow cinema enthusiasts may appreciate this logical step into "late-stage," but the viewing experience of What Does that Nature Say to You is frustrating.” – Movies We Texted About Apr 4, 2026 Full Review The Super Mario Galaxy Movie (2026) 43% 2/5 EDIT “The Super Mario Galaxy Movie thrives on not giving anything substantial to the audience. It’s sickeningly boring, and fans deserve so much better than to be fed such gobbledygook. ” – The Cinema Spot Apr 3, 2026 Full Review The AI Doc: Or How I Became an Apocaloptimist (2026) 89% B EDIT “The AI Doc: Or How I Became an Apocaloptimist is a fairly effective documentary on a rather complicated subject.” – Film Speak Apr 2, 2026 Full Review The Drama (2026) 77% 3.5/5 EDIT “The Drama is somewhat intriguing, but I can’t be certain that it all works.” – The Cosmic Circus Apr 2, 2026 Full Review Case 137 (2025) 94% B EDIT “Moll thrives in total immersion, and Case 137 works best when it seeks to remove any instances of cinematic trickery from the audience’s eyes.” – InSession Film Apr 2, 2026 Full Review Alpha (2025) 58% 3.5/5 EDIT “While [Alpha] may not be as strong as [Ducournau's] Palme d’Or-winning film, [Titane], I still eagerly await her subsequent project. ” – The Cosmic Circus Mar 29, 2026 Full Review Miroirs No. 3 (2025) 95% 3/4 EDIT “Miroirs No. 3 is a thematically intriguing and often funny character study that slowly leads the audience towards unexpected territories. ” – Awards Radar Mar 28, 2026 Full Review Yes (2025) 94% A- EDIT “There may not be a more angry film released this year than Nadav Lapid’s Yes.” – InSession Film Mar 28, 2026 Full Review Pretty Lethal (2026) 57% D- EDIT “Vicky Jewson’s ‘Pretty Lethal’ squanders an interesting premise with paper-thin characters, dull performances, and poorly staged action.” – Film Speak Mar 26, 2026 Full Review Two Prosecutors (2025) 97% B+ EDIT “The predictability of Loznitsa’s film might hamper the final moment where Kornyev’s fate is sealed, but it still doesn’t make the movie any less impactful.” – Film Speak Mar 26, 2026 Full Review A Magnificent Life (2025) 61% D+ EDIT “What ultimately remains is a painfully hollow and vapid animated affair that will sadly be released by committing the worst possible offense against what Marcel Pagnol stands for.” – InSession Film Mar 26, 2026 Full Review Reminders of Him (2026) 57% C+ EDIT “I could’ve come here and talked about why Colleen Hoover [...] continues to misunderstand fundamental human relationships in her writing. All of this is still true. But the filmed transposition of Reminders of Him isn’t bad. Simple as that.” – InSession Film Mar 24, 2026 Full Review
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