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Keith Uhlich

Tomatometer-approved critic

Reviews

Movies TV Shows
Cold Storage (2026) 77% EDIT “A fourth-wall-breaking regurgitative stinger followed by a basso-grunge cover of "(Don’t Fear) The Reaper" and a deep-in-end-credits "Special Thanks" to, uh, wha, Jacques Tati?!? are the cherries on top of a s*** sundae that I quite relished devouring.” – (All (Parentheses)) (Substack) Feb 21, 2026 Full Review Kokuho (2025) 92% EDIT “Koan-ically: If a movie compels in the moment but fades in recollect, does it make a sound?” – (All (Parentheses)) (Substack) Feb 21, 2026 Full Review Scare Out (2026) EDIT “It often feels like Zhang is being yanked between rah!-rah! copagandistic affection and vomitous moral revulsion…holding a mammoth, Munch-ian howl at bay.” – (All (Parentheses)) (Substack) Feb 21, 2026 Full Review Blades of the Guardians (2026) 92% EDIT “Yuen Woo-ping knows how to direct wuxia action sequences, shocker, and additionally how to navigate a dizzying array of characters and locales so that any relational befuddlement becomes bliss.” – (All (Parentheses)) (Substack) Feb 21, 2026 Full Review How to Make a Killing (2026) 47% EDIT “The bastard offspring of a Mad Libs-’n’-Chat GPT prompt: Kind Hearts and Coronets remake set in the world of Succession and starring Glen Powell. Result: Not terrible!” – (All (Parentheses)) (Substack) Feb 21, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 84% EDIT “Buddha wisdom from the Budweiser: Frogs guy, who’da thunk?” – (All (Parentheses)) (Substack) Feb 15, 2026 Full Review Wuthering Heights (2026) 59% EDIT “It often feels like we’re watching a mo-pic incarnation of the smutty scratchings doodled in the margins of a science textbook by a bored middle-schooler.” – (All (Parentheses)) (Substack) Feb 15, 2026 Full Review Dracula (2025) 68% EDIT “A Godardian essay film in the vein of Jackass with a Henry James-esque tendency to forever orbit its ephemeral points.” – (All (Parentheses)) (Substack) Feb 6, 2026 Full Review Dracula (2025) 53% EDIT “An engagingly sanguine if still too-digitally-scrubbed Yves Saint Laurent-ian fashion extravaganza that pompously purports to be about capital-‘L’ Love,” – (All (Parentheses)) (Substack) Feb 6, 2026 Full Review The Moment (2026) 64% EDIT “Charli XCX's strenuous attempts to cheekily bury both herself and her Vroom Vrooming pop-tart anxieties six-feet metaphorically under add up to little more than Doomscroll Spinal Tap.” – (All (Parentheses)) (Substack) Feb 6, 2026 Full Review Iron Lung (2026) 61% EDIT “Markiplier’s lugubrious mo-pic is vanity project Tarkovsky with a soupçon of early Ridley Scott, and hell’s bells if that hodgepodge isn’t more-often-than-not impressive and effective.” – (All (Parentheses)) (Substack) Feb 6, 2026 Full Review Send Help (2026) 94% EDIT “As evinced by a fakeout moment of gory emasculation that should really have gone full castrato, Send Help too often pulls its punches, testicular and otherwise.” – (All (Parentheses)) (Substack) Jan 30, 2026 Full Review Mercy (2026) 24% EDIT “Is this movie more interesting than a YouTube recording of Chris Pratt extolling RFK Jr. on Club Random with Bill Maher?” – (All (Parentheses)) (Substack) Jan 24, 2026 Full Review Dust Bunny (2025) 85% EDIT “Dust Bunny thrives for a good while on Fuller’s fertile imagination, which here asks "What if Leon: The Professional but with a ravenous oversized leporid?” – (All (Parentheses)) (Substack) Jan 24, 2026 Full Review Return to Silent Hill (2026) 19% EDIT “Has a digi-augmented chintziness on the one hand. On the other, the thought "Lady and the Duke-era Eric Rohmer doing Hellraiser" came frequently to mind.” – (All (Parentheses)) (Substack) Jan 24, 2026 Full Review Cover-Up (2025) 98% EDIT “When it comes to the darker shades of Hersh's personality and pursuits, Poitras and Obenhaus tend to pull a Homer Simpson-style hedge retreat rather than probe deeper into the behavioral and psychological verdure.” – (All (Parentheses)) (Substack) Jan 18, 2026 Full Review 28 Years Later: The Bone Temple (2026) 92% EDIT “I’ve been singing O’Connell’s praises in The North Water (2021) for years now and will just redirect readers there for an example of what he can do when he’s not being asked to madcaply, monotonously gambol like a lep’ in tha hood/come to do no good.” – (All (Parentheses)) (Substack) Jan 18, 2026 Full Review The Testament of Ann Lee (2025) 87% EDIT “I never miss a Shaker musical!” – (All (Parentheses)) (Substack) Jan 10, 2026 Full Review The Housemaid (2025) 74% EDIT “It’s Feig attempting Park Chan-wook’s Gone Girl and…yeah, I’m good, m’guy.” – (All (Parentheses)) (Substack) Jan 10, 2026 Full Review Avatar: Fire and Ash (2025) 66% 2/4 EDIT “The movie moves at a clip and looks like hundreds of millions of bucks have been spent, which isn’t the same thing as saying that its 3D visuals are particularly beautiful.” – Slant Magazine Dec 16, 2025 Full Review Damsels in Distress (2011) 75% 4/5 EDIT “Too many movies come to us as preordained cult objects — this is the real deal.” – Time Out Nov 4, 2025 Full Review The Long Day Closes (1992) 82% 5/5 EDIT “Everything proceeds with a dreamy allusiveness that’s the product of a consciousness simultaneously recollecting and enduring these events.” – (All (Parentheses)) (Substack) Oct 31, 2025 Full Review The Kid With a Bike (2011) 96% 5/5 EDIT “Like much of the Dardennes’ output, The Kid with a Bike doubles as both an engrossingly perceptive human drama and a powerful religious parable.” – (All (Parentheses)) (Substack) Oct 27, 2025 Full Review Blue Moon (2025) 90% EDIT “Engenders a robust longing for a blackout stupor.” – (All (Parentheses)) (Substack) Oct 26, 2025 Full Review After the Hunt (2025) 37% EDIT “’nino doing Ryan Murphy’s Oleanna proves a most ineffectual pathway back to Light Likability.” – Time Out Oct 14, 2025 Full Review
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