Downfall

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Downfall

R

2004

2h 34m

History

Drama

War

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Popcornmeter

90%

Tomatometer

137 Reviews

94%

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50,000+ Ratings

In 1942, young Traudl Junge (Alexandra Maria Lara) lands her dream job -- secretary to Adolf Hitler (Bruno Ganz) at the peak of his power. Three years later, Hitler's empire is now his underground bunker. The real-life Traudl narrates Hitler's final days as he rages against imagined betrayers and barks orders to phantom armies, while his mistress, Eva Braun (Juliane Köhler), clucks over his emotional distance, and other infamous Nazis prepare for the end.

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Critics Consensus

Downfall is an illuminating, thoughtful and detailed account of Hitler's last days.

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David Ansen

Newsweek

01/22/2013

Does Downfall "humanize" Hitler and his henchmen, as its critics have complained? Yes, and it should: to pretend these villains were less than human is to let ourselves off the hook, to take the easy and dangerous exit of demonology.

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Marc Savlov

Austin Chronicle

04/03/2005

4/5

Some demons are too extreme to comprehend, but Hirschbiegel's film nonetheless provides a painfully unflinching glimpse into the outer workings of the mortally wounded Third Reich.

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Rick Groen

Globe and Mail

03/18/2005

2/4

Viewed through a North American lens, the movie itself seems more familiar than fascinating, more innocuous than inflammatory, and, at 21/2 hours, more tedious than anything else.

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Jane Freebury

The Canberra Times (Australia)

08/18/2022

A provocative, thoughtful perspective on an arch-criminal guilty of heinous crime.

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James Croot

The Post NZ

03/26/2021

4.5/5

It is a stunning performance of light and shade, tracing his descent from total denial to despair, disillusionment and defeat.

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Leigh Paatsch

Herald Sun (Australia)

04/03/2020

5/5

Most impressive of all is how, with the world closing in on the ranting, paranoid monster, Ganz ratchets down his performance from towering to cowering in minute increments.

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Dr. C

@drcereal Feb 5

This movie does what a lot of other WW2 movies fail to truly do: humanize the Nazis. You don't see the Nazis as the "villains" here, but as people trying to retain their faith in a chased ideal of stability amidst a society collapsing around them. The aesthetic that particularly captivates me is the dream of "Germania" existing as a socially-accepted delusion covered in rubble and blood. German soldiers don't seem like evil caricatures, but like individuals, battered and bruised by their dedication to a dead concept. The Western Allies aren't even seen throughout the movie, and the Soviets are depicted from an impersonal standpoint. This is because the movie wants you to see how GERMANY saw their defeat: not as a victory for the ideals of "peace and freedom," but as the tragic death of a national promise. The movie shows us, then, that understanding fascism doesn't lie in simply decrying it, but in understanding how and why it believed in its potential for succeeding.

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The ballad of s

Jan 11

Bruno Ganz should have got an Oscar for this but didn't even get a nomination.

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johannes d

@peterpresidente Dec 18

Very good film great playing, but the bunker party scene seems a bit realistic to me, and deliberately interpreted that way.

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Jalvzz ..

@jalvzz Dec 4

Peak cinema this is

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P A

Nov 8

the best war movie I have seen, You really believe you are watching a fly on the wall documentary. Bruno Ganz give the performance of his life

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Brad

@Ilovemovies506 Oct 20

I watched this movie yesterday and it was pretty interesting to watch

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Oliver Hirschbiegel

Director

Bruno Ganz

Adolf Hitler

Alexandra Maria Lara

Traudl Junge

Corinna Harfouch

Magda Goebbels

Ulrich Matthes

Joseph Goebbels

Juliane Köhler

Eva Braun

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Synopsis

In 1942, young Traudl Junge (Alexandra Maria Lara) lands her dream job -- secretary to Adolf Hitler (Bruno Ganz) at the peak of his power. Three years later, Hitler's empire is now his underground bunker. The real-life Traudl narrates Hitler's final days as he rages against imagined betrayers and barks orders to phantom armies, while his mistress, Eva Braun (Juliane Köhler), clucks over his emotional distance, and other infamous Nazis prepare for the end.

Director: Oliver Hirschbiegel
Producer: Bernd Eichinger
Screenwriter: Bernd Eichinger
Distributor: Newmarket Film Group
Production Co: Constantin Film Produktion, Degeto Film, RAI Cinema, EOS Entertainment, Österreichischer Rundfunk (ORF) [at]
Rating: R (Some Nudity|Disturbing Images|Strong Violence)
Genre: History, Drama, War
Original Language: German
Release Date (Theaters): Sep 8, 2004, Original
Rerelease Date (Theaters): Feb 18, 2005
Release Date (Streaming): Apr 4, 2017
Box Office (Gross USA): $5.5M
Runtime: 2h 34m
Sound Mix: Surround

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