Topsy-Turvy

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Martin B @Martin49er 5d Having performed a number of their operettas as a pit orchestra musician, this was a wonderful reminder of the magical stuff they presented. So well done in showing all the hard work that went (and still goes!) into producing them. Bravi tutti!!! See more Kevin L @Lakeman Sep 2 The masterful Mike Leigh takes on Gilbert & Sullivan with an exceptional cast. Broadbent, Manville, Corduner, and Henderson are esp. impressive. Arias and arrogance; bitterness and bedroom ruminations; The Mikado and some kabuki; all strained through the posh and unpardonable of British high society. 3.4 stars See more Mary Jane W @RT30366863 05/05/2025 The set design and the editing are BEAUTIFUL. Of course, the music, but no one praises enough the sets-costumes, the sheer Beauty of this movie, or praises -- at all -- its intelligent witty reasonably-paced editing. I want to take an editing course from Robin Sales, an editing tutor at the British Film and Television School. See more David F @dfulmer 01/07/2025 This backstage drama about the trials and tribulations of Gilbert and Sullivan’s working relationship and their creation of the comic opera The Mikado presents a panoramic view of the late 1800s British theatre world. Great music, light comedy, and very thorough period details make for splendid entertainment. See more S R @ScottR 11/10/2024 Informative and entertaining movie about Gilbert and Sullivan. I especially appreciated it since I had acted in "The Mikado" and this showcased that. It also showed what that time period was like and how people were lived at many different levels of society. Saw on HBO and because it was on the Time Out Best British Films list. See more Taylor L @RT77267842 12/04/2022 "I'm going out to seek a bit of Italian hokey-pokey, and I care not who knows it." Heavy with period production value, Topsy-Turvy is an exploration of the collaboration between Gilbert and Sullivan in their later years, with a creative relationship that has seen success and tension in equal measure. Leigh gives these most celebrated musical theatre virtuosos the full period drama treatment, granting ample time to their relationship, individual personalities, and the world around them with subplots revolving around other figures of the British stage and the world of Victorian sensibilities, all in elaborate costume and sets covered in heavy drapery and lace doilies. Though Broadbent's Gilbert and Corduner's Sullivan are meant to be equal partners in reality (and both have their own idiosyncrasies), it's Broadbent that drops the hammer hardest with the full depiction of an accomplished, eloquent, and bristly perfectionist. Together, there's a lot to like not only in the story, but in the personality clashes and the understanding of the artistic process. The strength - and weakness - of Leigh's depiction of the backstage duo is the length. With it, the writer-director touches on not only his main characters but a raft of secondary roles fulfilled by a solid supporting cast that includes both Timothy Spall and Andy Serkis along with Kevin McKidd as a great girdle-wearing diva. Beyond that, there's also substantial atmospheric flourishes designed to give flesh to the surrounding world that took pleasure in the artistic output of Gilbert and Sullivan. But unless you're willing to immerse yourself fully in that world, it's understandable that some find the length to be too substantial; it's not just the final product, but each individual scene is much more drawn-out than you might expect. The film focuses on the duo's last major success, The Mikado, a play that had begun to attract criticism around the time of the film's release for its less-than-authentic take on Japanese culture. However, that's hardly something you can fault Leigh for, and he accurately catches that bit of stiff-upper-lip condescension, combined with a play that was always a British social satire with a thin Japanese veneer to dispel criticism. Some of the stage performances are definitely closer to Mickey Rooney in Breakfast at Tiffany's than anything else, but here it seems to be more making fun of the British sense of self-superiority than the culture that Gilbert and Sullivan were originally making light of. One of the most ambitious cinematic depictions of musical theatre ever attempted, and certainly worth the time of any fan of musicals. (3.5/5) See more Read all reviews

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